‘Baikonur 97’ explores immigration and the duality of identities through the use of my family’s photographic archive. The work presents digital edits displaying at least one character that has been duplicated or cloned recreating the visual representation of a human mutant plague, creating a surreal piece that critiques and parodies the negative connotations immigration receives nowadays on media, who often refers to migrants as “invaders and aliens”.

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‘Baikonur 97’ explores immigration and the duality of identities through the use of my family’s photographic archive. The work presents digital edits displaying at least one character that has been duplicated or cloned recreating the visual representation of a human mutant plague, creating a surreal piece that critiques and parodies the negative connotations immigration receives nowadays on media, who often refers to migrants as “invaders and aliens”.